Santōka Alarm
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The words he used most

We counted the words of all 701 poems.
The most frequent is “grass” — 52 poems. Then water, mountains, the moon.
What a man saw as he walked, begged, and slept in the fields — the order of his words tells it.

The road of words

From Kumamoto, 1925, to Matsuyama, 1940 — fifteen years of wandering.
The words most distinctive of each period stand along the way.
Drag Santōka to travel through his years.

mountains bamboo hat clouds あるくwalking いただくreceiving The Begging Bowl From Kumamoto, onto the road 1925–32 · age 42–49 tea ふるfalling flowers 食べるeating fire One Man Within Gochū-an, Yamaguchi 1932–34 · age 49–51 ぬれる いばらbriar いそぐhurrying earth morning On the Begging Road Begging from the hermitage 1933–34 · age 50–51 the sun snow the moon seeds & berries 咲くblooming Walking Mountains, Walking Waters To mountains, to waters 1934–36 · age 51–53 the road ちるscattering 草鞋straw sandals willow ぬぐtaking off From Journey to Journey To Tokyo, Kiso, Hiraizumi 1936 · age 53 あかるいbright wind people 枯れるwithering 住むdwelling A Landscape of Weeds Gochū-an 1936–37 · age 53–54 grass あたたかいwarm persimmon 落葉fallen leaves leaves Persimmon Leaves Gochū-an, late years 1937–38 · age 54–55 日の丸the rising-sun flag white box (ashes) sweat しぐれるwinter drizzle autumn The Home Front The home front 1937–38 · age 54–55 竹の子bamboo shoots death bamboo spring 啼くcrying (of birds) Cold and Alone Fūrai-kyo, Yuda Onsen 1938–39 · age 55–56 うまいdelicious 死ぬdying ふるさとhome village night 青いblue Heart for the Road Shinano, Tōhoku, then Shikoku 1939 · age 56 water journey 鳴くsinging (of insects) graves 石ころ The Crow Issō-an, Matsuyama 1939–40 · age 56–57
Santōka walking

No. 1

grass · 53× · 52 poems

The title Sōmokutō means a tower raised to the souls of grasses and trees. For Santōka, grass was a place to sit, a bed for the night, and the place he would one day return to. “Glad things too, sad things too — the grass grows thick.”

No. 2

water · 48× · 45 poems

Spring water met on the begging road, water drawn, water carried home. The drink written about most by a man who drank himself into ruin was, in fact, water. “Drifting and drifting I savor the water.”

No. 3

mountains · 37× · 34 poems

The mountains of the opening poem: “going in deeper and deeper still, the green mountains”. Not Fuji, not Aso — just green mountains. Being no mountain in particular, they become each reader’s own.

wordcounta note on the word
4 the moon 34× · 34 poems Once he lived alone in his hermitage, the moon became his most familiar visitor. A house never locked lets the moon come all the way in. “Letting the moon into my bed I settle down to sleep.”
5 咲くblooming 30× · 30 poems He stopped, again and again, for nameless grasses in bloom. Whatever blooms is affirmed just as it is. “That too will do — grass is blooming.”
6 snow 30× · 24 poems Perhaps the quietest word in his poems. Alone in the Gochū-an hermitage, he watches what keeps falling. “Onto snow snow falling, and I am in the stillness.”
7 wind 24× · 24 poems Wind was not something to be blown about by, but something to walk inside. “Today again all day I have walked the wind.”
8 flowers 23× · 23 poems His eye went not to blossom at its height but to flowers blooming unnoticed — tea flowers, loquat flowers, shepherd’s-purse. “At last it opened and it was a white flower.”
9 ふるfalling 21× · 20 poems Rain falls, snow falls, leaves fall. For a man who walked beneath falling things with one bamboo hat, this word drops straight from the sky into the poem. “Snow falls there is food to eat snow falls.”
10 leaves 20× · 19 poems Persimmon leaves, loquat leaves, taro leaves. A single leaf falling is enough for a poem. “In the blaze of noon, a single leaf falls.”
11 journey 20× · 17 poems His whole life. Without a house, from journey to journey, changing straw sandals, the poems were born. “This journey, this endless journey — a cicada crying.”
12 落葉fallen leaves 19× · 18 poems Fallen leaves are swept, trodden — and they announce a visitor. Living alone, he kept their sound close to his ear. “Those footsteps coming through the leaves I know them.”
13 あるくwalking 17× · 17 poems Santōka was a walking poet. “This hopeless self of mine walking along.” There was no destination; walking itself was the point. So the poems grew in number, like steps.
14 食べるeating 16× · 15 poems Cooking rice received as alms, picking butterbur to eat. His eating poems are the plain record of being alive. “Savoring it deeply rice that is only rice.”
15 ふるさとhome village 16× · 15 poems The town in Yamaguchi where his family fell and his mother died. Longing and pain always live together in it. “Home is far away and the buds on the trees.”
16 水音sound of water 15× · 15 poems The sound alone can carry a poem: “pushing in — the sound of water”. To a walker it was a signpost; at the hermitage it settled the heart. “The sound of water — truly I have settled down.”
17 clouds 15× · 14 poems Look up and the clouds hurry; the rain they dropped soaks him. The speed of what crosses the sky, the slowness of a man walking the ground. “Cold clouds hurrying by.”
18 おちるdropping 14× · 12 poems A ripe persimmon drops, a camellia drops, a leaf drops. Waiting for things to fall was the day’s whole work at the hermitage. “Thinking of Sumita the persimmon leaves fall and fall.”
19 ちるscattering 13× · 13 poems He wrote falling as often as blooming. What scatters is petals and leaves — and, some day, himself. “Blooming quietly and falling.”
20 啼くcrying (of birds) 12× · 12 poems For insects he wrote “sing”; for birds he often chose a starker character, closer to a wail. When a bird cries that way, it is somehow Santōka himself. “A crow caws and I too am alone.”
21rain12× 22枯れるwithering12× 23morning12× 24sky12× 25persimmon12× 26seeds & berries12× 27butterbur12× 28buds11× 29あたたかいwarm11× 30the sun11× 31ふかいdeep10× 32ゆくgoing, passing10× 33てふてふbutterfly10× 34spring10× 35鳴くsinging (of insects)10× 36graves10× 37trees10× 38つくつくぼうしa late-summer cicada10× 39stones 40the road 41雑草weeds 42earth 43crow 44bamboo 45thicket 46ひとりalone 47死ぬdying 48autumn 49椿camellia 50しづかquiet 51fire 52people 53白いwhite 54待つwaiting 55cooked rice 56bush clover 57すすきpampas grass 58bamboo hat 59木の芽tree buds 60二つtwo 61一つone 62すわるsitting 63寝るsleeping 64sound 65おちつくsettling down 66もどるreturning 67ふくsprouting, blowing 68あかるいbright 69うつくしいbeautiful 70ぬけるpassing through 71hands 72吹くblowing 73青いblue 74木の葉tree leaves 75this body 76うまいdelicious 77逢うmeeting 78winter 79rice 80ふむtreading 81ears of grass 82death 83ぬれる 84birds 85しげるgrowing thick 86行くgoing 87たたくknocking 88炎天blazing sun 89いただくreceiving 90乞うbegging 91とんぼdragonfly 92彼岸花red spider lily 93shadow 94house 95しぐれるwinter drizzle 96秋風autumn wind 97tea 98ひらくopening 99御飯a meal of rice 100竹の子bamboo shoots 101涼しいcool 102ながれるflowing 103生きるliving 104したしいdear, familiar 105日の丸the rising-sun flag

All 701 poems were counted by machine and checked by eye.
Ubiquitous words like “to be” and “to do” are omitted; words appearing in five or more poems are listed.

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