山頭火アラームSantōka Alarm
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草木塔 七百一句Sōmokutō · 701 poems

種田山頭火が、自らえらんだ句集。The collection Taneda Santōka chose himself.
章ごとに、はじめから終わりまで。Chapter by chapter, beginning to end.

鉢の子The Begging Bowl (Hachi no ko)

91句91 poems

大正14年〜昭和7年(1925-1932) 行乞流転の旅1925–1932 · Years of mendicant wandering

出家得度して熊本の味取観音堂の堂守となり、やがて笠と鉄鉢ひとつで行乞流転の旅へ。山頭火の放浪の原点となる時代。「分け入つても分け入つても青い山」をはじめ、代表句の多くがここにある。Ordained at last, Santōka became caretaker of the Mitori Kannon hall in Higo, then set out on a life of mendicant wandering with nothing but a bamboo hat and an iron begging bowl. This is the wellspring of his vagabond years. Many of his best-known verses belong here, beginning with "going deeper and still deeper into the blue mountains."

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其中一人One Man Within (Gochū hitori)

47句47 poems

昭和7年〜9年(1932-1934) 其中庵にて1932–1934 · At the Gochū-an hermitage

郷里山口の小郡に「其中庵」を結び、はじめて自分の庵を持った時代。雪や月と差し向かいの独居の静けさ、御飯の炊ける音。暮らしの句が生まれはじめる。In Ogōri, near his native Yamaguchi, Santōka built a hermitage he called the Gochū-an — the first dwelling he could truly call his own. These are poems of solitary quiet, of sitting face to face with snow and moon, of the sound of rice coming to the boil. Here the verses of daily living begin to appear.

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行乞途上On the Begging Road (Gyōkotsu tojō)

41句41 poems

昭和8年〜9年(1933-1934) 庵からの行乞1933–1934 · Begging out from the hermitage

其中庵を拠点にしつつ、なお托鉢の旅に出た日々。道の上の句が多い。「けふもいちにち風をあるいてきた」の風は、この時代の風である。Days when, with the Gochū-an as his base, he still went out on the alms-begging road. Many of these are poems of the open road. The wind in "today too, a whole day, i walked the wind" is the wind of this time.

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山行水行Walking Mountains, Walking Waters (Sankō suikō)

103句103 poems

昭和9年〜11年(1934-1936) 山へ水へ1934–1936 · To the mountains, to the waters

題は「山を行き、水を行く」。旅と庵を往き来しながら、山の音と水の音に身体が溶けてゆく時期。澄んだ句がそろう。The title means "to walk the mountains, to walk the waters." Moving back and forth between travel and the hermitage, Santōka let his body dissolve into the sound of mountains and the sound of water. The verses gathered here are clear and limpid.

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旅から旅へFrom Journey to Journey (Tabi kara tabi e)

38句38 poems

昭和11年(1936) 東への長旅1936 · The long journey east

東京へ、木曽へ、平泉へ。芭蕉の足跡と亡き友の墓を訪ねた長い東上の旅。吐き捨てた二千句から拾い上げられた旅の句たち。To Tokyo, to Kiso, to Hiraizumi. A long eastward journey following the footsteps of Bashō and visiting the graves of departed friends. These travel verses were gathered up out of two thousand poems he had thrown away.

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雑草風景A Landscape of Weeds (Zassō fūkei)

72句72 poems

昭和11年〜12年(1936-1937) 其中庵にて1936–1937 · At the Gochū-an hermitage

庵の暮らしをみずから「雑草風景」と名づけた。雑草は雑草として生え伸び咲き実ればよろしい — 其中庵の朝夕、飯と水と虫の音。Santōka named his hermitage life himself "a landscape of weeds." Let weeds grow and stretch and bloom and bear fruit as weeds — that is enough. Morning and evening at the Gochū-an: rice, water, and the sound of insects.

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柿の葉Persimmon Leaves (Kaki no ha)

118句118 poems

昭和12年〜13年(1937-1938) 其中庵晩期1937–1938 · The late Gochū-an years

濡れてかがやく柿の落葉に造化の妙を見た、其中庵晩期。身辺の小さなものへ目が深くなってゆく、成熟の句集。In the wet, shining fallen leaves of the persimmon, Santōka saw the wonder of creation. These are the late Gochū-an years, a mature collection in which his eye grows ever deeper toward the small things close at hand.

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銃後The Home Front (Jūgo)

25句25 poems

昭和12年〜13年(1937-1938) 戦時の句1937–1938 · Poems of wartime

日中戦争下、出征する人を見送り、遺骨を迎えた日々の句。美化も断罪もせず、銃後の町の静かな異様さを映す。Under the Sino-Japanese War, these are poems of days spent seeing off men going to the front and receiving home the ashes of the dead. Neither glorifying nor condemning, they mirror the quiet strangeness of a town on the home front.

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孤寒Cold and Alone (Kokan)

57句57 poems

昭和13年〜14年(1938-1939) 湯田・風来居1938–1939 · Yuda, the Fūrai-kyo

其中庵を離れ、湯田温泉の「風来居」へ。題のとおり孤独と寒さを抱いた冬の句が多いが、その底に湯の町のあたたかさも灯る。Leaving the Gochū-an, Santōka moved to the Fūrai-kyo at Yuda hot spring. As the title suggests, many of these are winter poems that hold solitude and cold, yet beneath them the warmth of a hot-spring town also glimmers.

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旅心Heart for the Road (Tabigokoro)

36句36 poems

昭和14年(1939) さいごの長旅1939 · The last long journey

信濃から東北をめぐり、四国へ渡るまで。死に場所を探すような、それでいて足どりの軽い、最後の長旅の句。From Shinano through the Tōhoku country and on across to Shikoku. These are poems of a final long journey — as if searching for a place to die, and yet light of step all the same.

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The Crow (Karasu)

72句72 poems

昭和14年〜15年(1939-1940) 松山・一草庵1939–1940 · Matsuyama, the Issō-an

終の住処となった松山の一草庵時代。没年までの句稿から自選した七十二句。濁りの落ちた、晩年の澄みきった句が並ぶ。The years at the Issō-an in Matsuyama, which became his final dwelling. Seventy-two verses chosen by his own hand from the manuscripts written up to the year of his death. Here stand the clear, transparent poems of his last years, all sediment fallen away.

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拾遺Gleanings (Shūi)

1句1 poems

『草木塔』本文外Outside the main text of Sōmokutō

『草木塔』本文には収められなかった句。晩年の句稿や日記から。Poems not included in the main body of Sōmokutō, drawn from the manuscripts and diaries of his late years.

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山頭火アラーム アプリアイコン

毎朝、一句で、目覚める。Wake each morning to a single poem.

山頭火アラームは、この七百一句をポケットに入れてSantōka Alarm puts these 701 poems in your pocket,
毎朝一句で目覚めるiOSアプリです。an iOS app that wakes you each morning with one.

App Storeでダウンロード iOS 26以降iOS 26+